Deborah

On my father’s deathbed, he asked me to seek the whereabouts of a family heirloom of which he had fond childhood memories. It was a silver rhino and his last recollection of it was seeing it on his aunt’s desk, weighing down the morning post. It stood on a plinth, engraved with the words:

“To George, in gratitude for saving my life, from the Earl of Athlone.”

My Great Uncle George was Secretary to the District Commissioner of Uganda in the 1920s, and he had accompanied the Earl on a hunting safari. The Earl took a shot at a rhino and missed. As the seething beast charged towards them, George asked the Earl if he should like some assistance. The Earl assented and the rhino came to its final resting place at their feet.

Until then I had taken little interest in family history but the search for this memento opened doors of connection to previously unknown members of family and, in the process, enriched my sense of belonging. More than this, I discovered a passion for biographical work. Although I never found the silver rhino, the distribution of Chasing Silver Rhinos to relatives returned something of greater value, as the people that were unearthed and into whom I breathed new life, were given a place in our hearts and minds for the rest of time. Since then, I have been commissioned to write two other works, Shoemaker and A Box Full of Silence.

There is never a point at which a writer can claim ‘nirvana’ in their writing technique; it is an eternal quest and this is part of the enjoyment. Courses embarked upon with the Open University, the Arvon Foundation and Ways with Words have all helped to improve my own skill in the art of writing. If, however, our words can inspire or create new perspective, then it is the Reader who is our best measure of aptitude.

Martin

culatra august 2014 007Your story may want to be a novel, more likely a novella, a tale, a sketch, a very short fiction, possibly even a poem, a ballad. It may want pictures and photographs or drawings. It may want to be comic or grotesque or tragic, understated or exaggerated.

With an MA in Critical Analysis, I have lectured at Falmouth and Plymouth Universities for twenty years, teaching students to write creatively about their own work and how it might fit into the wider culture of image making and story telling.

For those wishing to embark upon a journey of family-based biographical work, From The Hearth provides an opportunity to discover your own unique style of written narrative whilst gaining inspiration and valuable critique from working with like-minded people.

Testimonials

"I felt free to be myself. It took me through a variety of emotions and I felt free to ask questions without feeling foolish or too inexperienced to have a voice. Thanks Debs!" Sheila, Devon

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